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ATD eLearning SIG Meeting on The Rise of Web-Based Development Tools

On July 26th, ATD NYC eLearning SIG co-chair Mark Cassetta and I gave a standing-room-only session on The Rise of Web-Based Development Tools.  Mark gave an excellent demo of the web-based tool Adapt.  And I followed up with a brief look at the Rise web-based tool included with the Articulate 360 suite.  There are of course other web-based eLearning development tools surfacing, but we felt these two were the strongest ones out of the gate.

Adapt has been around longer (since 2013), and as Mark demonstrated, is currently far more fully-featured than Articulate’s Rise tool.  The fact that Adapt is open source and offers a fully-functional free version should send you running to check it out.  Rise is not free; it’s only available with a subscription to the Articulate 360 suite.  But as I demonstrated, this new tool already has a great look and feel, and allows you to put together great-looking modules in a fraction of the time you’d need developing in Articulate’s Storyline, or Adobe’s Captivate or similar products.

Mark and I pointed out that in addition to providing for faster, cheaper development, web-based tools are also designed to create content that is fully responsive in design–the courseware will automatically adapt its layout depending on whether your learners access it from a laptop, a tablet, or a smartphone.  In this day of one-the-go, just-in-time training, this mobile-friendly element is huge.  And the learning curve for both tools is surprisingly low.

You can read more about Adapt here: https://www.adaptlearning.org

And you can read more about Rise here: https://articulate.com/360/rise

Our next ATD NYC eLearning SIG session will be on Wednesday, September 27th–put that date in your calendar now!

Teaching Presentation Skills to Graduate Student Poets and Novelists

This was my second year as a member of the graduate creative writing faculty at Western State Colorado University, in Gunnison, Colorado. I was first hired in 2016 by my Harvard classmate David Rothman, head of the program and of the poetry concentration, to teach a summer intensive on presentation skills to second-year grad student poets. Once I got there and the genre novelists heard about the work I was doing, they asked me for some sessions, as well. This year, we baked that into my teaching schedule. So I had a handful of morning sessions with five delightful and talented genre fiction writers, all of whom were seeking coaching for their final pre-graduation presentations. And in the afternoons, I taught my 8-session summer intensive “Poetry in Performance,” coaching three extremely talented poets.

This photo is of me with the 2017 graduating genre fiction novelists after their final presentations: from left, Kaleb Erickson, their wonderful writing instructor for this year, Candace Nadon, and Carla Mercado on my left. In the back: Vincent Harper, Marissa Harwood, and Ketura Barchers.

 

 

 

 

And in this picture, talented composer Justus (Jay) Perrotta (L) joins me in congratulating my three poets Ellen Metrick, Brian Calvert, and Brian Palmer, after their final 25-minute presentations. Jay has interest in setting some of the poems he heard to music. All three poets knocked it out of the park, and brought tears to many audience members’ eyes–including mine.

Well done, all! You did me proud, and I look forward to seeing and hearing more of your work.

New eLearning Overview Built with Articulate Rise Featuring Fully Responsive Design!

It’s a great time to be creating eLearning; development tools continue to evolve, and a new player on the scene is a real game-changer–especially if you need high quality mobile learning.  As if  Storyline wasn’t great enough, with their new Articulate 360 suite, Articulate now offers us Articulate Rise.  The main difference between Storyline and Rise is this:  Rise is an entirely online course development tool, and the content published from Rise features a fully responsive design.  That means whether your learners access a Rise course using a laptop, desktop, tablet, or smartphone, Rise automatically detects the type of device and delivers the course optimized for viewing on that type of device!  It’s practically magical.

Now, Rise can’t currently compete with Storyline in terms of more advanced features and types of interactions, but for basic, linear informational courses needing a bit of stylish interaction, Rise offers a number of elegant templates and a lot of room for creativity.  And because it’s template-driven, it means building a course with Rise takes less time–and less money.  Of course, you can still add your own branding and color scheme.

Another difference to keep in mind: since audio files do not autoplay on mobile devices, so any audio you include in a Rise course will require the learner to click to hear the audio file.  But that’s a small price to pay for eLearning content that looks great on any device.  (And of course you should never put critical information only in audio for any eLearning course.)  Thanks to tools like Rise, high quality mobile learning is now within every company’s reach.  And Articulate continues to enhance the features of Rise, so this is truly only the beginning.

Click on the image in this post to see the sample Rise course I created.  It’s an updated version of my eLearning Overview.  This brief course will walk you through the process of creating eLearning–and give you a great look at Rise in action at the same time.  I think you’ll agree it’s quality eLearning in a very stylish package.  I’ve already used Rise with some of my clients, and they are thrilled with the results.  Take my sample course for a spin, and let me know what you think!

If you want to learn more about Rise, it will be one of the tools we discuss at our next ATD NYC eLearning SIG meeting on Wednesday, July 26th.  Watch the ATD NYC web site for details and to register.

Recap of Recent ATD NYC eLearning SIG Sessions

As you may know, I’ve been co-chairing ATD NYC’s eLearning Special Interest Group (SIG) for a few years now; first with Enid Crystal of BlackRock, and now with Mark Cassetta of RBC.  We put a lot of work into our sessions, and attendees tell us they get a lot out of them.

In March, we hosted one of our popular roundtable discussions on the topic Making eLearning Interactions Meaningful.  As a group, we put together a list of common types of eLearning interactions, and then had a lively (and illustrated) discussion about how we might use each of those types of interaction in a way that adds relevance and resonance for a particular project.  After all, not every type of interaction is an easy match with every learning topic.  We looked at and discussed samples brought in by some of our creative SIG members–it’s always great to see ideas in action, hands-on.  Attendees told us afterward they left with their heads full of new ideas for how to choose an interaction type based on their topic and what they’re trying to say.  That’s what we love to hear!

In May, we held a session called Video 101: Lights!  Camera!  eLearning! which was very well attended both in person and online.  Video is becoming more and more popular as a teaching tool, as it becomes easier and easier to for us all to create.  Look at YouTube, after all.  It’s become a great, global training resource.  We talked about when it’s a good idea to consider adding video, and about the common challenges that arise when you decide to include video clips as part of your eLearning (like file size and formats).  We spent a good amount of time looking at a wide variety of sample video clips being used for different types of micro-training moments: endorsement, informational, step-by-step training, role-play, guided tour, quizzing, and more.  We also talked about the basic gear you need if you want to shoot your own video clips, and examined a typical lighting setup for a good-looking “talking head” clip.  Once again, attendees told us they left armed with a lot of great ideas for enhancing their own elearning back on the job.  We recorded this session, so if you’re an ATD NYC member, it will be available soon on the member web site.

If you’re in the NYC area, don’t miss out!  We only hold six eLearning SIG meetings a year, and every one of them is crammed with great ideas and great discussion.  If you’re not already a member of ATD NYC, consider joining.  The annual cost is quite low, and while there are many great Chapter events, and other SIGs, the eLearning SIG meetings alone are worth the price of admission.

Our next eLearning SIG meeting will be on Wednesday, July 26th.  Mark your calendar, and watch the ATD NYC web site for details and registration.  Our topic will be The Rise of Web-based eLearning Development Tools, and it promises to be another great session.  In fact, I have a new blog post coming up in which I’ll share an example of a course built with Articulate Rise (see what I did there?), a great new web-based development tool that offers fully responsive design.  Stay tuned!

Class Up Your Learning With Free Images from the Metropolitan Museum of Art!

In case you missed this news item in February, I decided to do a quick blog post about it.  Those of us creating a lot of eLearning content (and training materials in general) are always looking for inexpensive–or better, FREE–stock images to enliven our learning content.  True, the new Articulate 360 Suite includes a Content Library with some decent images (more on 360 in another post), and Adobe’s package also offers a stock image option–though a lot of that one seems to come with a price tag.  Death to the Stock Photo started out strong, but for me their image bundles have grown less interesting lately.  Likewise for Unsplash–sure, the photos are often swell, but how many 8mb mountain landscape shots do we need in corporate eLearning?

Sometimes help comes from unexpected places.  In this case, it comes from NYC’s Metropolitan Museum of Art.  In February the museum announced it was making a treasure trove of copyright free (or copyright waived) images available to the public on their web site, for FREE.  Another reason to love that venerable institution (and seriously, if you haven’t ever been, it’s the El Dorado of art, and you really should spend a few hours there next time you’re in town).

To check out what’s available, visit their Collection and then check the box for “Public Domain Artworks” from the list of filters on the left.  Once you’ve done that, select other filters on the left to further narrow the results, browse to your heart’s content, and download what you need for your project.  The museum will continue adding images to this free databank over time.

Will you find lots of images of corporate businesspeople?  Well, no.  But if you’re creating a course with a metaphor, you could make great use of some classical art–and “class up” your learning content in the process!

Busy, Busy Busy–The View From Here

Hi there!  In case you occasionally check out my blog, you probably noticed that I went on a national tour of a new play in the fall of 2016, and apparently vanished.  Sorry about that.  Long story short, the tour (which was terrific) ended after a couple of months due to producer challenges, and when I returned to NYC, I found myself very busy with eLearning and other learning-related projects from a number of new clients.  So I have been neglecting my blog and my Facebook page due to the workload.  I’ve also decided to discontinue my newsletter, and just focus on the occasional new blog and FB post instead.

Stay tuned for some new posts soon.  No, really.  🙂

 

Big News: I’m in the “Cheers Live On Stage” National Tour!

Cheers_LogoAt last I can share this news: I’m playing the fabulous role of the mysterious Eric Finch in the upcoming Cheers Live On Stage national tour, which opens this September where I grew up: Boston, MA. I’m beyond thrilled to be working again with the fantastic and delightful Matt Lenz (who directed me in the award-winning 30th Anniversary production of The Foreigner at the Maltz Jupiter Theatre in 2014), along with my buddy Sarah Sirota (we just appeared together in Like Money in the Bank in NYC), costume designer extraordinaire Michael McDonald (who designed costumes for The Foreigner) and a host of other lovely people. The web site is still in progress, as is the itinerary; I’ll provide updates as soon as I have them! (And if you don’t remember who Eric Finch is, don’t do research–just come see the show and be surprised!)  This is my first national tour, and I’m very excited.  I hope to see you when we come to your town.

You can read the press release by clicking here.

May Contest! Win a Copy of My New Audiobook “Black Sails White Rabbits”

BlackSailsWhiteRabbitsI’m celebrating the release of my first audiobook narration, Black Sails, White Rabbits; Cancer Was The Easy Part, by holding a raffle!

If you’d like to win a FREE copy of this audiobook, just make a comment on this post including your real name before 11:59pm on May 30th, 2016.  I will compile all the names, pick one at random, and announce the one lucky winner the first week of June.

Of course, if you don’t want to wait and you’d like to show your support now (not to mention hear a rippingly good tale), this audiobook is now available on Audible.comAmazon.com, and on iTunes.  If you make this audiobook your first purchase (not freebie) on the Audible website, that helps me even more!

Black Sails White Rabbits is the extraordinary autobiography of sailing athlete Kevin A. Hall, whose dreams of competing in the Olympics and raising a family were put on hold at the age of nineteen when he was diagnosed with testicular cancer.  Then bipolar disorder.  Then testicular cancer again.  And Kevin’s bipolar disorder takes the form of what is now called “Truman Show Delusion”–when an episode hits, he thinks he’s the star of a global TV program.  How Kevin has weathered his illnesses, faced his demons, and achieved his goals makes for one heck of a tale–at turns darkly funny, frightening, surprising, sweet, and moving.  Kevin is a super-bright man, and he doesn’t pull any punches; you’re right there with him as it happens–and that’s especially true of the audiobook version.  He’s not only a great sailor–he’s a terrific storyteller.

I’m honored that Kevin selected me to narrate his book.  He had his choice of some extraordinary talent, but when he attended the Alice150 international convention with our mutual artist friend Wendy Ice in October 2015 in NYC, he saw me perform my new one-man show Through the Looking-Glass Darkly, and decided I was the man for the job.  I’m thrilled Kevin is so happy with the resulting audiobook.

If you want to enter my May 2016 raffle, remember to make a comment on this post before June 1st.  If you want to buy the book now, you can use the links included in this post.

If you enjoy the audiobook, and know others who would, please do share this information with them.

Thank you for your support, and good luck!!

In eLearning Images The Eyes Have It
What if I told you that a major global corporation made a surprising change to its policy regarding use of stock photographs in their company’s eLearning projects, against the advice of its own talent development team?  What if I told you the new policy states that photographic images of people must not show recognizable faces.  If any face is shown, it must be that of a company employee.
Could this happen at your company?  What would it mean to your eLearning?  It would be a mistake for a couple of compelling reasons:
One: Time and time again I have seen companies insist on including images or video of an actual employee, only to have the person in question abruptly leave the firm—or be let go.  Suddenly, the course contains someone no longer representing the firm, and who may have even departed acrimoniously.  There could also conceivably be legal issues to retaining images of that former employee in the courseware.  As a rule, you’re leaving yourself open to time-consuming and expensive revisions.  The same is true for in-house voiceovers, by the way.  Why go there?
Two: If you take a course that has human figures in it, but you never see faces full-on, what is your reaction likely to be?  What’s missing? Something enormously important.  The eyes.  Whether or not you believe that “the eyes are the windows of the soul,” when it comes to communicating, nothing speaks more universally and clearly than our eyes.  I’m an actor; I know.  You’re an audience member and a human being—I bet you know, too.  So if you don’t ever offer your learner eye contact in your eLearning, you’re missing a HUGE opportunity to build empathy and connection.  After all, in asynchronous eLearning, there’s no instructor at the front of the room making eye contact, and making sure the learner is engaged.  Among other tools, we need to rely on a compelling professional voiceover, and on images of people to whom our learners can immediately relate.  If you don’t emphasize the human factor in your training—regardless of the topic—then you are further distancing your content from your intended audience.  You are pushing away the very people you want to engage, persuade, and motivate. Your content may look sleek and elegant, with all those shadowy, non-specific figures.  But your content will be missing a life-giving glimpse of soul.  Does that make good business sense?
Woman with electric guitarTake a look at the two pictures I’ve included with this post.  Both have a very positive energy, which is great.  The image of the woman jamming on the electric guitar could absolutely have a place in your eLearning.  But how much emotional impact does it generate compared to the other, where you can see the woman’s and the child’s eyes—in fact, they’re looking right at you?  Which image makes more of an emotional connection with you?  Which one resonates more with you?
Young mother and daughter in cityI didn’t make up this scenario; it actually happened at a major corporation recently.  What was the executive reasoning behind that company’s policy change?  They are still allowing use of stock images, so it’s not about wanting only custom images.  Do they not realize that emotional connection is our greatest “secret weapon” in eLearning?  (As it is in theatre, film, advertising, and life in general.)
I’ve been in the eLearning field for over 15 years, I’ve been a professional actor for over 30 years, and I’ve been observing other people all my life.  And if there’s one thing I know, it’s this: when it comes to communicating, the eyes have it.  Here’s hoping the executives at that corporation realize their mistake and put the decisions for eLearning course design back where they belong: in the hands of the company’s learning and talent development experts.  And if executives at your company are trying to do the same thing, make them read this article.  Maybe it will help them see the light.
Learn Rules and Tools of Engagement at Our Next ATD eLearning SIG Roundtable May 18th!
ATDNY Logo
 Does your eLearning start like this?
Welcome to this training on X.  It is important for the company that you understand all about X.  Here are your objectives.  There will be a quiz at the end.
How appealing is that to your learner?  What if, instead, you started your course in a way that stimulates your learner’s interest and actively engages them in your topic?  Sound difficult?  It’s not–it just takes a little creativity.
Join us for the next ATD NYC eLearning SIG session on Wednesday, May 18th for our Interactive Roundtable on the Rules and Tools of Engagement.
How do our Roundtables work?  Simple!  We use a “flipped classroom” approach.  Download the simple pre-session assignment here using the link included below.  It will explain the brief assignment and provide you with some great materials to get started.  Then send in your 1-3 draft slides by Tuesday, May 17th.  Everything you need to know is in the PowerPoint download–along with a lot of free images and more!
Download the kit, have fun creating your draft, and we’ll look forward to your sharing it with us all on May 18th.  Our Roundtable environment is always friendly and supportive, and you will walk away with your head full of great ideas from your other eLearning SIG members.  We will also send out the final composite PowerPoint with everyone’s examples afterward to all attendees.
Stop lecturing your learners and start engaging them today.
Download the Pre-session Project Kit here:  Rules and Tools Pre-Session Project
Register for this event on the ATD NYC web site.
Even if you don’t have time to contribute some idea slides, we’ll still look forward to seeing you on the 18th!